Berenzweig and Ellis expanded on the aforementioned research by trying to
separate singing from instrumental music\cite{berenzweig_locating_2001}.
-\todo{Incorporate this in literary framing}
-~\cite{fujihara_automatic_2006}
-~\cite{fujihara_lyricsynchronizer:_2011}
-~\cite{fujihara_three_2008}
-~\cite{mauch_integrating_2012}
-~\cite{mesaros_adaptation_2009}
-~\cite{mesaros_automatic_2008}
-~\cite{mesaros_automatic_2010}
-~%\cite{muller_multimodal_2012}
-~\cite{pedone_phoneme-level_2011}
-~\cite{yang_machine_2012}
+\todo{Incorporate this in literary framing}%
+~\cite{fujihara_automatic_2006}%
+~\cite{fujihara_lyricsynchronizer:_2011}%
+~\cite{fujihara_three_2008}%
+~\cite{mauch_integrating_2012}%
+~\cite{mesaros_adaptation_2009}%
+~\cite{mesaros_automatic_2008}%
+~\cite{mesaros_automatic_2010}%
+~%\cite{muller_multimodal_2012}%
+~\cite{pedone_phoneme-level_2011}%
+~\cite{yang_machine_2012}%
\caption{Outline}
\end{table}
+\todo{Explain why MFCC and which parameters}
+\todo{Spectrals might be enough, no decorrelation}
+
+\section{Experiments}
+
\section{Results}
\chapter{Conclusion \& Discussion}
%Discussion section
+\todo{Novelty}
+\todo{Weaknesses}
+\todo{Dataset is not very varied but\ldots}
+
+\todo{Doom metal}
%Conclusion section
%Acknowledgements
%Statement on authors' contributions